From Brazil to UK

Nosyla, whose real name is Alyson, is a Peruvian-born DJ from Geneva, Switzerland. Growing up in a family of artists, where dance and music played a central role, she developed a passion for music at an early age. Her music is a blend of cultures, combining styles such as Afro, house, baile funk and Latin. Through her sets, Nosyla likes to take her audience on a journey, offering them vibrant, festive rhythms that encourage them to break free and dance. Her passion for mixing is a way of connecting people, celebrating cultural diversity and joie de vivre through music.

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Born in Geneva, Mara is one of those artists who crosses musical boundaries, too curious, too thirsty for sounds to be satisfied with a single genre or a single aesthetic. She wants to learn, to understand, to find material to feed her first mixes and, little by little, to compose her own tracks, ‘very club-oriented’. It has to be said that Mara was force-fed house, hip-hop and then, in her teens, dancehall, reggae, dubstep and drum&bass, all of which end up singling out her DJ sets, conceived with the same idea in mind: to get the body going. All these experiences have been salutary: they have given Mara the confidence to operate completely independently (from the creation of her label to the graphic design). Mara's success quickly spread beyond clubs and nightclubs to the Internet, where ‘Foufoune’ racked up over a million views, prompting Angèle to cover this ode to cunnilingus, while ‘Point cue’ ends on a high note. 

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Nami Cherry is a Geneva-based DJ and performer renowned for her bold style and energetic sets. Her unique aesthetic fuses underground club vibes with assertive self-expression, blending influences from baile funk, reggaeton, vogue beats and cutting-edge electronic rhythms. As a performer and member of the ballroom scene, Nami Cherry's performances are more than just sets: they are immersive experiences that celebrate music, freedom and individuality, creating a space where audiences can express themselves fully.

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